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T-000.000.001-0
Dancing Queen is literally, T-000.000.001-0. So let's do something anyone reading this can replicate, and take a look at the databases- The MLC's public search, PRS's works search, ASCAP's and BMI's repertoire tools- and look up Dancing Queen to see how the ISWC has fared in its 30+ years of history.

Henry Marsden
6 days ago6 min read


The Leakage Ledger, Vol. 1
The Leakage Ledger is a recurring edition where I’ll publish actual numbers from actual catalog work. Anonymised (obviously) and stripped of anything identifying- but real. One catalog, the findings, and what they were worth. No thesis to defend, just the pure maths.
Tangible numbers- those that you can see, touch and feel, change that conversation. A publisher can't benchmark themselves against a sentiment, but they can absolutely benchmark themselves against a percentage.

Henry Marsden
Aug 125 min read


Emptying The Black Box
Last year I wrote about real issues to be found in the MLC’s dataset- an exploration of what was really sitting inside the industry's most transparent copyright dataset. The headline then: the MLC reported around 90% of royalty value matched, while our analysis showed only 22% of ISRCs had been attributed to any work- some 170 million of 217 million recordings sitting unlinked, with the long tail holding more recoverable money than the industry's hits-first workflows were eve

Henry Marsden
Jul 295 min read


Data Room Lies
Every catalog acquisition starts in the same place. A data room opens, and inside sits the familiar furniture: a stack of royalty statements, some contract summaries, perhaps a seller-commissioned earnings report with a decay curve that always seems to flatten out at exactly the right moment (funny that).
And at the centre of it all, the schedule of works- the document that defines what is actually for sale.

Henry Marsden
Jul 215 min read


AI Will Not Fix Publishing Metadata (Until Publishers Know What They Are Fixing)
If publishers want to use AI meaningfully, they first need to know whether their own data is in a fit state to support it.
Publishing data is not a neat database of facts waiting to be queried. It is a living, fragmented, territory-specific web of claims, registrations and human judgement. Anyone who has spent any length of time inside the operational machinery of publishing knows this instinctively- this is the world AI is entering.

Henry Marsden
Jun 107 min read
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